What others say about me

Testimonials

Fredrika Brillembourg

“Working with Adrian Jones on the development of my staged musical work Marie Colvin: Why Is the World Not Here continues to be inspiring and enormously valuable. His artistic insight, structured thinking, and ability to connect ideas, people, and creative possibilities have helped shape the project in meaningful ways. As an opera singer producing and marketing an original show for the first time, Adrian brings both vision and sensitivity to his mentorship, always encouraging clarity, courage, and artistic depth.”

Fredrika Brillembourg
Opera Singer

Siegwald Bütow

“The support provided by Adrian Jones during internal clarification processes within the Mozarteum Orchestra Salzburg was of great value to everyone involved. In a sensitive situation, he succeeded within a short period of time in creating an atmosphere of trust, openness, and structure.
With a clear understanding of the dynamics of an orchestra and drawing on his extensive experience, he guided the process with focus and purpose. His ability to bring together differing perspectives and facilitate constructive dialogue made a significant contribution to improving communication and collaboration.”

Siegwald Bütow
Orchestra Director, Mozarteum Orchestra Salzburg

Nicholas Carter

“During my early years as Assistant Conductor at the Deutsche Oper Berlin, Adrian Jones was a trusted adviser and mentor. His support extended far beyond the rehearsal room: he gave me the opportunity to conduct the Rundfunk-Sinfonieorchester Berlin as a guest conductor and offered invaluable guidance regarding the next steps in my career, including the search for international artistic representation. His insight into both the artistic and administrative aspects of our profession continues to be of lasting value to me.”

Nicholas Carter
General Music Director of the Stuttgart State Opera

Daniele Gatti

“I have known Mr Adrian Jones for many years and greatly value his outstanding diplomatic skills, his profound understanding of orchestral structures, and his proven ability to build trust amongst all those involved.
During his time in Dresden, his contribution was instrumental in creating a productive collaborative environment that led to significant artistic and organisational achievements.
I particularly appreciate his strong sense of humanity, which is consistently reflected both in his dealings with others and in his commitment to sustainable and long-term professional relationships.”

Daniele Gatti
Chief Conductor of the Sächsische Staatskapelle Dresden and Artistic Director of the Maggio Musicale Fiorentino

Samuel Hogarth

“My collaboration with Adrian Jones has become an important part of my artistic and professional development. His ability to connect artistic and strategic questions helps me to see my next steps clearly and shape them with purpose. I particularly value his precise perception of people and situations, as well as his ability to communicate even complex matters with great clarity and composure whilst proposing creative solutions. His guidance extends far beyond short-term solutions and opens up perspectives that prove sustainable in the long term.”

Samuel Hogarth
First Kapellmeister and Head of Music Coordination, Staatstheater Mainz

Ivan Repušić

“Adrian Jones has accompanied me for many years as a trusted colleague and adviser, initially at the Deutsche Oper Berlin and later at the Rundfunk-Sinfonieorchester Berlin, on projects in Berlin and whilst on concert tours. He has become an important sparring partner and has supported me in various situations with his diplomatic sensitivity. His combination of artistic understanding and organisational clarity makes him a unique companion — not only for conductors.”

Ivan Repušić
General Music Director of Oper Leipzig and Chief Conductor of the State Orchestra Weimar

 

Donald Runnicles

“Working with Adrian Jones at the Deutsche Oper Berlin was characterised by trust, clarity, and genuine partnership. Adrian brought exceptional professionalism and empathy to our work and opened new channels of communication that sustainably strengthened the spirit of collaboration throughout the organisation. His calm authority and diplomatic skills helped to defuse conflicts and foster a culture of mutual respect — qualities that make him an invaluable colleague and mentor.”

Sir Donald Runnicles
General Music Director of the Deutsche Oper Berlin and Chief Conductor of the Dresdner Philharmonie

Sarah Wilson

“I first met Adrian Jones several years ago at the Salzburg Easter Festival and have since encountered him in a variety of artistic contexts. Musical processes are also interpersonal processes: Adrian Jones is a bridge-builder. He stands for integrity as a guiding principle in professional life — and, like every good musician, he knows how to listen.”

Sarah Wedl-Wilson
Former Senator for Culture and Social Cohesion, Berlin